Call for Entries: The Feminist Opposition

23 11 2016

Hera Gallery is seeking artwork to be part of an intersectional exploration of contemporary feminism’s role in opposition to the current cultural and political climate. They are interested in exhibiting all manifestations of feminist art from makers of all races, genders, and sexual orientations. All media including performance and installation will be accepted.

Juror: Jessica Hong, Curatorial Assistant, Institute for Contemporary Art, Boston, MA

Entry Fee: Each artist may submit 3 entries for $30. Judging will be done from digital files. Fees are non-refundable.

Eligibility: Open to works of any medium including performance and installation. 3D limited to 100 lbs and must fit through a 5’10” x 6’8” door. 2D must fit through said door.

Deadline: Wednesday, January 4, 2017


TFAP Call for Proposals

25 05 2016
TFAP@CAA 2017 
The 11th Annual Feminist Art Project Day of Panels at The College Art Association Conference



Topic: Crossroads: Art + Native Feminism
Location: Museum of Arts and Design, New York City
Date: Saturday, February 18, 2017
Submit proposals to:
Deadline for proposals: June 15, 2016 
Coordinators: Jaune Quick-to-See Smith, Maria Hupfield, and Kat Griefen

Length/format of proposal: Include the names of the Indigenous knowledge carriers, the nations and communit(ies) speakers are accountable to, artists, art historians and/or curators you plan to include in the conversation/panel/performance as well as the topic(s) you wish to address. Submissions should be no more than 400 words.

Crossroads: Art + Native Feminism is a dedicated day of panels including roundtables and discussions lead by Indigenous knowledge carriers, artists, community members, elders, academics and their accomplices on the topic of art and Native Feminism focused on North America. From the countless unnamed work produced by Native women and acquired by historical museums in service of colonial nation states around the world to Rebecca Belmore representing Canada at the Venice Biennale and Christi Belcourt’s Anishinaabe Nation floral motif inspired designs on the haute couture runway of Valentino; Native women across the continent have a long established tradition in the visual arts that pushes against dominate patriarchal structures. Against the odds of systematic erasure of colonization and historically situated outside of mainstream Feminism the experience and knowledge of native women offer ranging perspectives conceptually better located at the center of the movement. Land recovery, self determination, and social relations based in respect and inherent dignity of all living beings from non-human to human, are a few examples that fluidity move across and between traditional and contemporary practices today. This call for proposals focuses on panels by and about indigenous women artists and their work from both in and outside the art gallery.

Possible proposal topics may include colonial logics of gender, a history of mobilizing environment/social justice movements, new materialities and resurgent practices, trans-indigenous feminist standpoints, self-determination sovereignty or nationhood, modeling responsible approaches to collaboration, negotiating accountability and recognition within the gallery, empowerment through personal narratives, strategies to open/make space, survival throughout legacies of imperialism/institutionalized patriarchy/colonial hegemony, well-being and safety, reexamination of criminal jurisprudence, re-imagining native landscapes toward a Native feminist spacial practice, and violence perpetuated through erasures.

For more information about TFAP@CAA:

Kollwitz at the Ulrich Museum of Art

30 04 2016

This spring, the Ulrich Museum of Art at Wichita State University mounted Transition and Turmoil: Human Expressions 1900-1945. The show-within-a-show is an entire gallery devoted to a Spotlight on Kaethe Kollwitz, the German printmaker and activist who lent her art to so many social and political causes in the early twentieth century. Kollwitz’s strong graphics take on general social issues of hunger, poverty, and militarism, and more specific works target particular plights such as extreme overcrowding of housing in Berlin, the phenomenon of German homeworkers (women doing piecework in the home because their factory jobs didn’t make ends meet), prisoners of war, and unsafe labor conditions in factories. Mothers feature in many of Kollwitz’s works as protectors, often attempting to shield children from terrible fates. In the Amsden Gallery at the Ulrich, one has the opportunity to be completely surrounded by Kollwitz prints.


Conversations and Story Lines

17 11 2015

Open now through January 9, 2016: Conversations and Story Lines at the Carriage Factory Gallery in Newton, KS. Work by Mary Werner, Brenda Jones, and Rachel Epp Buller addresses women’s stories, family histories real and imagined, perceptions of gender, and craft traditions passed on through matrilineal generations.


Exhibition: A Woman in Her Place

1 03 2015

A Woman in Her Place exhibition opens to the public Tuesday, March 3, 2015 at the E.B White Gallery on the Butler Community College, El Dorado campus. A Woman in Her Place is a project to highlight the place of women in society. Created around the theme of women’s identity and place, female artists from the United States and Europe were asked to create an art work using a traditional slip (undergarment) as a unifying symbol for woman. There will be a gallery talk with a panel of the artists and the curators, Amanda Pfister and Manda Remmen, on Tuesday, March 3rd at 1:30 pm in the E.B. White Gallery, and an opening reception Friday, March 6th from 6-8 pm. The exhibition will be on display through April 10, 2015.

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Our Lady Show at Go-Away Garage Gallery, Wichita

29 08 2014

Just in time for the Final Friday gallery crawl, the “Our Lady Show” has opened at Go-Away Garage, 508 S. Commerce. In this group exhibition, 40 women from Wichita and surrounding areas tackle a variety of political topics but many of the works respond specifically to the U.S. Supreme Court’s recent decision in favor of Hobby Lobby regarding coverage (or lack thereof) of contraceptive care for employees. Today’s Wichita Eagle carries a long article about the exhibition, here, which will be open 4-11pm on August 29. 

Lisa Solomon at the Ulrich Museum

24 07 2014

A new exhibition to put on the radar: Lisa Solomon’s installation of 1000 handmade doilies on the ground level of the Ulrich Museum of Art, Wichita State University campus. Solomon is the Ulrich’s first artist-in-residence and she is interested in “the way that work is categorized according to gender, and how that categorization affects the way the work is received.” (From the press release)

You can read a review of the show, or listen to the audio, here, and find out more about Lisa Solomon’s work here.

The installation is on view through September 28, 2014.